# Katt Williams Slams Steve Harvey in Explosive Feud: “Worse Than We Thought”

In a viral interview on Shannon Sharpe’s *Club Shay Shay* podcast, comedian Katt Williams unleashed a torrent of accusations against Steve Harvey, igniting a firestorm across social media.

Williams didn’t hold back, dragging Harvey alongside other comedy heavyweights like Kevin Hart, Chris Tucker, and Cedric the Entertainer into a scathing critique of Hollywood’s underbelly.

His most shocking claim? That Harvey, the polished face of family entertainment, hides a darker persona far worse than fans could imagine.

Williams’ attack on Harvey centers on allegations of inauthenticity and questionable ethics. He accused Harvey of stealing concepts, notably claiming that Harvey lifted the premise of his 1996 sitcom *The Steve Harvey Show* from Mark Curry’s earlier series *Hangin’ with Mr. Cooper*. Williams mocked Harvey’s acting abilities, dismissing his claims of not pursuing a film career by stating Hollywood had no scripts for a “country bumpkin black dude” lacking range.

Beyond personal jabs, Williams hinted at deeper issues, alleging Harvey mistreated staff and issued a controversial memo during his talk show’s relocation to Los Angeles, demanding strict boundaries to avoid being “ambushed” by employees—a move Harvey later defended as seeking personal space.

The feud traces back to 2008 when Williams publicly challenged Harvey before a joint New Year’s Eve performance, declaring he’d outshine him and seize the “king of comedy” title. This set the tone for over a decade of tension, fueled by Williams’ frustration at not achieving Harvey’s mainstream success despite his raw talent.

Harvey’s response to the recent outburst was telling; he expressed regret for engaging, suggesting he should’ve asked Williams, “What’s wrong?” Yet, this came across as deflection rather than reconciliation, with Harvey questioning Williams’ credibility by noting eloquent speech doesn’t equate to truth. This defensive stance only deepened suspicions—if Williams’ claims were baseless, why not laugh them off?

Williams also tied Harvey to broader comedy rivalries, accusing him, Cedric, and Ricky Smiley of forming a secretive clique that undermined others, including the late Bernie Mac.

He claimed Harvey and Cedric’s marketed “brotherhood” as Kings of Comedy masked power struggles and ego clashes, citing incidents like a Canadian border detention story where Harvey framed himself as the star, relegating Cedric to a sidekick role. These anecdotes paint Harvey as someone who prioritizes image over loyalty, a stark contrast to his public persona as a family man and self-help guru.

This clash isn’t just personal; it’s a collision of raw truth versus curated image. Williams, known for unfiltered commentary on Hollywood’s shady dealings, positions himself as a whistleblower, while Harvey represents corporate polish.

As Williams’ accusations—from staff mistreatment to stolen ideas—gain traction, fans are left questioning: Is Harvey’s squeaky-clean facade hiding a ruthless core? The more Harvey deflects, the louder the whispers grow, suggesting there might be more to this comedy king than meets the eye.