**DL Hughley Accuses Steve Harvey of Wanting Bernie Mac Out of Kings of Comedy**

DL Hughley has dropped a bombshell, claiming that Steve Harvey secretly maneuvered to push Bernie Mac out of the iconic Kings of Comedy tour. To the public, the quartet—Steve Harvey, Cedric the Entertainer, DL Hughley, and Bernie Mac—represented a dream team of Black excellence, selling out arenas in the late ’90s and making history with their raw humor.

On stage, Harvey charmed with polished crowd work, while Mac delivered hard-hitting, authentic truths. Behind the laughter, however, Hughley alleges a darker story of ego, envy, and betrayal.

According to Hughley, the brotherhood that defined one of comedy’s greatest movements was a facade. He paints Harvey as a competitive alpha male, obsessed with being the face of the group, who couldn’t handle Mac’s overwhelming popularity. Fans adored Bernie, chanting his name nightly as he closed shows with unparalleled energy.

Hughley claims this adoration bred resentment in Harvey, who positioned himself as the tour’s leader, handling press and introductions while allegedly sidelining Mac. “Steve wanted to be the only king,” Hughley stated in a recent interview, igniting online debates about the true dynamics among the comedians.

Hughley recounts specific tensions, alleging Harvey undercut Mac in contract talks and pay splits, making deals behind closed doors. When Mac landed major roles, like in *Ocean’s Eleven*, Harvey reportedly tried to snag the part for himself, as per a GQ article cited by Hughley.

Furthermore, Hughley claims Harvey once attempted to shorten Mac’s mic time during a show, unable to follow his explosive performances. “Nobody wanted to go after Bernie; he killed it too hard,” Hughley noted, suggesting Harvey’s actions stemmed from insecurity over Mac’s raw, unpolished brilliance that defied Hollywood norms.

The rift deepened as Mac’s star rose post the 2000 *Kings of Comedy* film, with his iconic “I ain’t scared of you” set cementing his legend status. His Fox show outrated Harvey’s sitcom, fueling further friction. Hughley insists Mac felt like an outsider in his own success, frustrated in dressing rooms while Harvey eyed broader Hollywood ambitions.

After Mac’s tragic passing in 2008, Harvey became the household name—hosting *Family Feud*, radio shows, and more—while Hughley hints at unresolved pain, questioning Harvey’s public tears over Mac with, “It’s funny how people cry after you’re gone but couldn’t pick up the phone when you were alive.”

Harvey has denied any feud, calling Mac a brother and dismissing drama as fabricated. Yet, Hughley’s revelations suggest a clash of authenticity versus ambition—Mac’s street-realness against Harvey’s strategic polish.

For fans, this isn’t just gossip; it’s a painful lesson on how fame tests loyalty. Whether Hughley is exposing truth or stirring old ghosts, one thing remains clear: Bernie Mac’s soul endures in comedy, while the Kings’ legacy carries a shadow of unspoken conflict.